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Members of LAMN (founded 1988) and NARIP (founded 1998) are able to acquire more quickly the information, knowledge and contact information they need for career development and career improvement.
The success of both organizations goes far beyond their names – LAMN and NARIP have members across the country and around the world. Offices have opened in Canada, New York and London, and other cities have lined up.
Prior to Taylor’s development of these influential organizations, there was no formal entity that handled the educational, networking, or mentoring functions necessary to nurture a new generation for the music industry. Each of these factors is important, but there is no doubt which one Taylor values the most: “Networking is what this business – all business, really – is,” she says. “If you want to move forward you have to know people. You can be a genius but stay rooted in darkness and poverty unless you go out and let people know who you are.”
LAMN:
LAMN is a multifaceted resource for newcomers to the music industry, as well as a way for students to learn more about the industry and how they might get into it. LAMN sponsors industry gatherings, workshops and seminars with leaders from all areas of the music industry.
NARIP:
To be eligible for membership in NARIP, you must be a professional in the recording industry. “I realized that beyond organizations like the Recording Industry Association of America (RIAA) which is a lobbying body focused on legislation, there was no organization that met the needs of those whose the career was entirely in the recording industry, ”Taylor said.
The beginnings.
“The idea for the Los Angeles Music Network dates back to my first job with the company, with Avalon Attractions, a large concert organizer in Southern California,” says Taylor. “All the talk about the wheel of the music industry comes together to create a concert. I was here, fresh out of college, and had access to almost every kind of professional I could possibly get – from radio and press to record label staff, from artist directors to artists. themselves. “
Taylor sought out an association through which she could meet the people she interacted with on the phone. “I was very surprised not to find anything of real value, so I started to organize small meetings between the people I dealt with,” she says. “At the beginning, there were only about three or four of us, but it grew. It was the seed that allowed me to build the professional relationships I have today, not to mention Job Bank and my mailing list. It’s the best in the world. Business.”
Some of the activities of LAMN and NARIP overlap, and Taylor regularly employs NARIP members for LAMN panels and other functions, and to mentor LAMN members. However, she is keen to provide the right kind of experiences for each group.
For NARIP members, its approach is to take on a continuing education role. “We should never stop learning, and no matter what experience we may have, there is always something else or another perspective we can absorb and enjoy,” Taylor says.
Pianist turned executive:
A classically trained pianist, Taylor is also an instructor, lecturer in music, and lecturer at institutions such as Harvard Business School, New York University, Caltech / MIT Enterprise Forum, Berklee College of Music, University of from California to Los Angeles (Entertainment Studies & Performing Arts), University of Southern California, Academy of Contemporary Music (Guildford, London), California State University in Chico, Middle Tennessee State University, Music and Entertainment Industry Educator’s Association International Symposium (2000 and 2002), University of Hawaii, California State University at Pomona, Pepperdine University School of Business and others. A popular guest speaker and participant at international industry conferences, she served as conference chair for Musicom4, a music technology symposium (1998), and as a keynote speaker for the Berklee College of Music Summer Conference (2003 ).
She is a consultant for InsideSessions, a joint venture between Universal Music Group and Penguin Putnam, and sits on numerous international charity and industry boards. She is a regular talent judge at US and international talent competitions and recently appeared on panels for Universal Talent Prague (Czech Republic 2003) and the Golden Magnolia International Song Festival (Baton Rouge 2003).
As a writer and contributor, her analyzes have recently appeared in Billboard Magazine, Radio & Records, USA Today, Newsweek, Source Magazine, Chicago Sun Times, Los Angeles Times, Los Angeles Daily News, Daily Variety, Musician Magazine, Wired, Lip Service Magazine, Los Angeles Business Journal and wire services such as Reuters Ltd., and in the international business press (Capital Magazine [Spain], Challenges / Le Nouvel Observateur [France]). She has been a featured expert on National Public Radio’s “Hollywood Wrap”, on Fox News, Samm Brown’s “For The Record” on KPFK 90.7-FM, on Ira Fistell’s talk radio program on KRLA 1110-AM and in other news media.
Contact:
Tess Taylor can be reached at (818) 769-7007 or by email at [email protected].
